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Priscilla Wathington

Four Poems by Priscilla Wathington

September 24, 2015

Ghost Crop

”I was a ghost in a strawberry field for five years,” he says.

“The ghosts were plentiful, ‘la fruta

del diablo,’ as they called it, also--

faakiha ash-Shaytan.”

He gestures toward the bowl

already offered, the fruit obese,

spilling. My children rush,

dip their bowls into the harvest

as if soup, heads cocked, miss

my swipes, juices running

into nylon low-pile carpeting.

Later, he takes a drag,

engine humming,

“Next time let’s eat in the other direction,” he says.

“You be the sloping grass;

me, the cow.”


 

Noise Reduction

Below her lips, dark matter,

amorphous proof:

of a demi-sun

bayer sensor’s receipt

of her chin behind glass

the prism’s preparation

for retina, his

breathing grip

imperceptible click

of capture, gain

and other reflexes,

the colluding cursor,

sculpting harvests of hues

into a creamy, buffed

crust.

 

Unmonitored, another carver

enters the dark matter

below her lips

scrapes open

variegated color

pits, seeds

inky grays

and ghost blues

with Jericho

majnouna.


 

After Diaspora

No longer nationalism

nor nostalgia

for revolutions

or plums

but this, I remember:

a frail moon

dangling over

a wedding hall

a bleating road

clambering slowly up

a concrete wall

infested with sheep ticks

myself,

as I used to be

staring over

the concrete wall

the temporary check point

the swelling assembly of garbage

at the moon

as if it were

my own country.


 

Afternoon Chat

“I almost died, you know,” I tell my sister on the phone while scrubbing spaghetti from a pot.

“What was the settlement name?” she asked but I didn’t know—

it didn’t seem important then.

My dad kept driving, his cheeks stretched, while my mother gripped the dash.

I was half asleep in the back, Simone de Beauvoir on my lap

while boys with long curls hurled limestones at a Peugeot.

 

That was the summer I learned how to drive—I was 20 and had only just gotten to it,

among other things I pierced my navel in a Russian needle shop

and went home to fight with my mother

and really, I forgive her, it was too much, the pots, the daughters,

the checkpoints that kept on popping like gophers from a hole

and there was no trap at Ziad’s because Ziad’s was bulldozed.

 

Settlements are Israeli neighborhoods built in the West Bank, in violation of international law.


Priscilla Wathington is freelance editor currently working with Defense for Children International - Palestine. Her poems have previously appeared in Rosebud Magazine, The Baltimore Review, Spark and Echo Arts, Sukoon, and Mizna.
In Poetry Tags Priscilla Wathington, Poetry, Ghost Crop, Noise Reduction, After Diaspora, Afternoon Chat
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