To the best of my knowledge, unless you include women’s private photo albums or personal social media feeds, there is no Madonna with Gestational Diabetes, Madonna of the Amniocentesis, or Madonna of the IV Tower and Labor and Delivery Room. I feel kinship with these images that portray the complexities of being pregnant. They challenge the demands for silence and censorship around experiences that do not follow the prescribed, imposed narrative of a joyful and celebratory pregnancy. These images revolve around loss, distress, powerlessness, a beauty often called grotesque, and, despite all its astonishing advances, a medical system that sometimes leaves more questions than answers.
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Learning How to be Female by Annie Lampman
As a child of the late 70s and early 80s, I was convinced that glossy “magazine women” were a distinct subspecies of human females who came out of the womb painted like colorful aliens, born complete with purple eyelids, black-lined eyes and thick-coated lashes, bright pink cheeks, and shiny-plump red lips. I studied them for hours, fascinated by their colorful flawlessness compared to the plain imperfection of “normal women.”
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