That was the year little girls went missing on the news, unwatched by mother eyes but net-caught in a man’s sight.
Read MoreA Normal Interview with Samina Najmi by Isabella De La Torre
“The past is often painful terrain to go over, but individuals in each generation have to make sense of that inheritance for themselves—to acknowledge it, reckon with it, choose what to keep and what to leave behind.”
Read MoreTwo Poems by Colette Cosner
There is a difference / between happiness and scouring the bayou / for something akin.
Read MoreTwo Poems by Lisa Caroline Friedman
At eighty-six, my mother’s voice vibrates— / syllables elasticize into trembling song. But it's her shuffle / that pulls me in.
Read MoreYou, Me, and The Spiral Jetty by Maddie Norris
...we, as listeners, are lost too. In some museums, this sound work is looped, creating a constant and comfortable lostness—everything in hyperfocus yet soft, like cashmere. For Dean, the work creates “a conceptual space where I can often reside.” We’re lost, dislocated from the familiar, embedded in an abyss.
We inhabit the blank spaces of the map.
Read MoreTwo Poems by Anna Newman
I wept when the doctor gave me a name for what was causing / the bloated pink growths to bloom unchecked across / the field of my organs...
Read MoreThree Photographs by Tetman Callis
Northeast El Paso, 2004 No. 2
Brick building with red poles, red storefront signage, and white corrugated steel roof. Signage includes “Pour house” in white text with a white martini glass in between the words. A United States flag is painted on the left and right of “Pour house.” On the far right of the red storefront, there’s a yellow sign with a red and black superhero, red text stating “Comics, cards, collectibles,” and blue text with a phone number: 775-6877. Below the comics sign is a door and two windows covered by various comics.
Northeast El Paso, 2004 No. 10
Brick building and white storefront signage with black border. Inside the border is “$5.00 Haircuts” in red text and “The Pros” in black text.
Northeast El Paso, 2004 No. 14
Red and white storefront numbered “5254.” On the left of the door is a white sign with “Now open. Walk in or drive thru!” in red text. On the right of the door is a white sign with “One stop liquor” in navy blue text. On the sign, there’s also a red octagon around the word “stop,” resembling a stop sign. Below this sign is a drink advertisement with the text “Great taste” in white and a yellow price tag with “$1.85” in black text.
Tetman Callis is a writer and artist who lives in Chicago. His stories and photographs have been widely published, and his photographs and other artworks have shown in galleries in New Mexico and New York City. He is the author of the memoir, High Street: Lawyers, Guns & Money in a Stoner’s New Mexico (Outpost 19, 2012), and the children’s book, Franny & Toby (Silky Oak Press, 2015). He can be found online at https://tetmancallis.substack.com.
Monochrome America by Joe Bonomo
I’m already apprehensive about driving over a body of water when Vega grabs my elbow and whispers to me that we’re riding around in a killer's car, it’s nineteen hundred seventy seven, whole country is doing a fix, it’s doomsday, doomsday. The bridge is sturdy beneath my wheels, yet I wasn’t prepared to be behind the wheel of a runaway car…
Read MoreAnacostia by Linette Marie Allen
K is for Ka, face to face, / like a night guarding a pen. / That’s what we do.
Read MorePainting of a beach horizon including a white seagull on the left and a tree on the right. A real woman with a small smile and braided hair stands directly in front of the painting on the right, blocking most of the painted tree
Horizon Lines by Paul Rabinowitz
Paul Rabinowitz’s photography, prose and poetry appear in magazines and journals including The Sun Magazine, New World Writing, Arcturus-Chicago Review Of Books, Evening Street Press, The Montreal Review, Stone Poetry Quarterly, Talking River Review, and elsewhere. Rabinowitz was a featured artist in Nailed Magazine in 2020, Mud Season Review in 2022, Apricity Press in 2023, Rappahannock Review in 2024 and The Woven Tale Press in 2025. His photo series Limited Light was nominated for Best of the Net in 2021. Rabinowitz’s poems and fiction are the inspiration for 8 award winning experimental films, including Best Experimental Short at Cannes, Venice Independent Film Festival, Oregon Short Film Festival, Jersey Shore Film Festival, Florence Indie Film Festival and Paris Film Festival. He shoots with a Nikon D7000 and uses only natural light. You can find him online at www.paulrabinowitz.com.
Naked Utopia(s) by Claire W. Zhang
Without clothes and names we would all be equals.
Read MoreAmong the Healthcare Professionals by John Picard
I am shocked by the news, though not surprised. So many people close to me have had cancer—my sister (breast) and my oldest friend (also prostate), my father (bladder). But it is a blow.
Read MoreBiohazard by Melissa Benton Barker
Knick doesn’t leave as much of a mess as some of them. It looks like he must have fallen asleep first, or maybe it’s just that he didn’t put up a fight. Deloris says not all of them do.
Read MoreAMONG MULTITUDES by Nance Van Winckel
How do? Their one mouth of how many / voices? My us peeks out to meet a dear / young them.
Read MoreThree Photographs by Hayley Veilleux
Words that stay
remember when
anguish of the marrow
Hayley Veilleux is a writer & photographer living on unceded Kansa, Osage, and Otoe homelands (Kansas City, MO). Her work has been exhibited and published in The Pitch, Black Warrior Review, Kansas City Magazine, Gallery 1516, and elsewhere. She is a former Writers for Readers Fellow and co-founded the indie literary & art magazine, Dead Peasant, during the lost summer of 2020. You can find her on Instagram at @Hd_be, where she frequently monologues about the zeitgeist.
